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Nano Last Judgment Florence Cathedral Ceilings of Heaven $5 silver.
Third coin in series, the entire fresco is entirely depicted on the octagonal shaped Nano Chip. Onto the size of a finger nail a very high resolution image is engraved with the technology of microelectronics on an ultra-planar Nano Chip,produced in a dust free environment out of high purity quartz in extreme vacuum. 999 pcs only!
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|Country :||Cook Islands|
|Face Value :||5 Dollars|
|Metal :||.999 Fine silver|
|Weight :||25 g|
|Size :||30 x 45 mm|
|Quality :||Proof antique finish|
|Mintage :||Only 999 pcs. worldwide|
|Series :||Ceilings of Heaven|
|Certificate of Authenticity :||Yes|
|Wooden Box :||No|
|Original ETUI box/case :||No|
|Designer :||Stephan Sauter|
A project realized thanks to the great nano-technology leaded to the state of the art by a brilliant German Engineer: Dr. Stephan Sauter and his company Nano Jewellery. The Sistine Chapel ceiling is entirely depicted on the Nano Chip embedded in the coin, realized with a cutting-edge technology able to reproduce all details visible in full with a microscope. The beauty and complexity of Raphael's masterpiece can be held today on the palm of your hand!
The Basilica di Santa Maria del Fiore (English, "Basilica of Saint Mary of the Flower") is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
Grand Duke Cosimo I de' Medici decided to have the dome painted with a representation of The Last Judgment. This enormous work, 3,600 metres² (38 750 ft²) of painted surface, was started in 1568 by Giorgio Vasari and Federico Zuccari and would last till 1579. The upper portion, near the lantern, representing The 24 Elders of Apoc. was finished by Vasari before his death in 1574. Federico Zuccari and a number of collaborators, such as Domenico Cresti, finished the other portions: (from top to bottom) Choirs of Angels; Christ, Mary and Saints; Virtues, Gifts of the Holy Spirit and Beatitudes; and at the bottom of the cuppola: Capital Sins and Hell. These frescoes are considered Zuccari's greatest work. But the quality of the work is uneven because of the input of different artists and the different techniques. Vasari had used true fresco, while Zuccari had painted in secco. During the restoration work ended in 1995, the entire pictorial cycle of the The Last Judgment was photographed with specially designed equipment and all the information collected in a catalogue.
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